Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Saturday, June 24, 2017

Conquest Of Words

During the 2015-2016 school year I was fortunate to work with a group of kindergarten students. Visiting them once a week, introducing them to authors, illustrators and the joy of appreciating not only the stories they told but how they accomplished their work was memorable.  As a thank you for our time together they wrote a book for me.  In it are letters of gratitude.

These letters are one of my greatest treasures because in my years of education I have had the opportunity to watch students learning to shape letters and string them together to make words.  When they are able to do this their happiness is huge.  Little Plane Learns to Write (A Neal Porter Books, Roaring Brook Press, June 6, 2017) written and illustrated by Stephen Savage takes readers on a journey of practice makes perfect.

It was time for class at flight school.

Little Plane could hardly wait to begin.  Their flight instructor told them about their new lesson.  They were going to learn to write.

Practicing arcs, dives and loopity-loops was important to their success.  Little Plane zoomed into the air.  Completing arcs was no problem.  The loopity-loops were not so easy.  They made him feel upside down and inside out.

He tried his best the next day but writing about clouds was minus an o.  Of course the flight instructor noticed the omission encouraging him to try again.  Little Plane gave it his best effort but again his next word lacked an o.

As the day darkened into night, Little Plane was deeply discouraged.  The night was partly cloudy.  As the clouds moved across the sky a glowing revelation gave Little Plane an idea.  With great care he flew.  His happiness was huge.


When Stephen Savage writes for our younger readers he speaks directly to their collective hearts and minds.  His sentences are simple and easily understood but still convey emotion.  His careful use of words allows us to connect to his characters.  This story becomes a bit more personal with the inserted dialogue by the flight instructor.  Every single one of us understands the struggle to learn to write and form words.  Every single one of us needed (needs) support.  And it's surprising, as Stephen demonstrates, when that support will appear.


Two dots and two curved lines give readers all they need to know about the mood of Little Plane as he flies over the countryside beneath him.  He has just completed writing the text for the title and could not more thrilled.  His red hue conveys warmth in beautiful contrast to the predominant use of primary colors throughout the book .  To the left, on the back, the canvas shifts to all sky blue.  Within a circle of yellow is a lighter blue.  Little Plane is flying out of the circle, a large grin on his face.

Readers are going to love the opening and closing endpapers.  Little Plane along with the other students have written the upper and lower case letters of the alphabet between the two images.  A through M is on the first and N through Z is on the second.  The background shifts in shades of blue to delineate the passage of time.

Digital techniques created the illustrations which all span two pages.  Stephen's use of line, shadows, light and shapes is ideal for the intended audience.  He alternates smoothly between panoramic and close-up views.  They contribute to the sensory impact.

One of my many favorite pictures is when Little Plane is trying a second time to get his loopity-loops to form.  The lower two-thirds of the page is a cityscape with a bridge in the background on the left.  Over the right side of the city is a large rainbow.  Above this the word is correctly spelled without an o.  Little Plane is flying away glad with what he has accomplished even without the o.  


Little Plane Learns to Write written and illustrated by Stephen Savage is an ode to learning and persistence.  It also shows how students learn differently and at varying rates.  I predict this book is going to be requested repeatedly by readers as a read aloud one-on-one or as a group.  You will want to add this title to your professional and personal collections of Stephen Savage books.  It's a definite winner.  (Can you guess which letter the students who wrote to me struggled with the most?)

To learn more about Stephen Savage and his other work please visit his website by following the link attached to his name.  To view interior images of this book please view them at the publisher's website.  Stephen is interviewed at Where The Board Books Are and BKLYNER.  This book is one of those featured by author, reviewer and blogger Julie Danielson at Seven Impossible Things Before Breakfast.  Stephen Savage had the distinct honor to be selected as the Irma Black and Cook Prize ceremony keynote speaker on May 18, 2017.

Thursday, June 22, 2017

Shaping Laughter

There are days when you crave great gulps of it.  It's an elixir for your soul.  You need it like your body needs air. It can come over you spontaneously or build until it bursts out in the open.

Whether it's a snicker or a shriek, laughter is contagious.  It's a rare person who hears it and does not feel at the least, a hint of a smile forming.  Claymates (Little, Brown and Company, June 20, 2017) written by Dev Petty with illustrations by Lauren Eldridge is certain to send spirits soaring.  There will, without a doubt, be a great deal of roaring...with laughter.

So...are you new here?

Yeah.

Me too.

What do you think is going to happen?

Probably something WONDERFUL.

Two balls of clay, one gray and the other brown, are calmly chatting and getting to know one another when an artist approaches the studio table, forming them into a wolf and an owl.  The twosome is thrilled when they are left alone again.  Owl thinks they are perfect.  Wolf has other plans.

Faster than you can say ears, it stretches them to look like airplane wings.  Owl is flabbergasted predicting doom and gloom at Wolf's antics in altering its appearance.  Finally after persistent prodding, Owl tries it.  Yahoo! Where did Owl go?  And what is in its place?

Like caged creatures set free the duo are an explosion of creativity.  When one becomes something new, the other complements it.  They progress from imaginative creatures, to things out of this world, to bigger, smaller, flatter and sharper.

The artist's jar of tools is fair game for these companions as they merrily make and remake themselves until the inevitable happens.   They hope their fast thinking solves their current predicament but the outcome generates full-blown hilarity.  For a third time they find themselves alone.  And as it is said, the third time is the charm.


Told entirely through the conversations between the two balls of clay, this story instantly captures your undivided attention and keeps it until the final syllable is uttered.  Dev Petty's keen sense of humor resonates in each word.  It's delightful to see how she plays one personality against the other until doubt is dispelled, replaced with exuberant play and the roles come full circle.  Here is a sample conversation.

You definitely shouldn't do that.

Why not?
I can fix it.

Don't I look loooovely?

You look like 
you're going to get
us in trouble.


It's a given you will start to giggle as soon as you see the matching dust jacket and book case.  Lauren Eldridge in this title, her debut picture book, demonstrates her masterful use of clay, found objects and photography.  The color choices for the text and the white background assure your attention will be directed at the characters.  You know the wolf and owl are as happy as can be but you are not sure why until your eyes drift left at the back.  A gray elephant is now holding a giant brown peanut in its trunk.  Off to one side you can see a portion of the studio table with other balls of clay ready to be used.

On the opening endpapers we get a clear view of the entire studio, including the table and photography space. What an introduction to possibilities!  On the closing endpapers with the publication information, author's and illustrator's notes and dedications it's the same area with noticeable differences.  (I'm laughing again.)  On the title page we zoom in close to the characters and bowls holding balls of clay.  The title letters formed from clay are spread across the top of the two-page picture.

Rendered in

polymer clay, acrylic doll eyes, tinfoil, and wire to create the many shapes of the gray and brown claymates and using objects from around my (her) house

Lauren Eldridge fashions a series of images on white or framed in wide bands of white.  She might include two illustrations on a single page, a single picture on one page, a wordless collage of visuals or a close-up spread across two pages.  Her choice of size directs the pacing and heightens the narrative.

The conversations are shown on torn pieces of paper with text color to match the character's color. What Lauren does with their eyes is fabulous! You know exactly what they are thinking and feeling.

One of my many favorite illustrations is the first two-page spread.  The wolf has just pulled its ears out making them longer.  Its eyes and mouth are wide open with its tongue hanging out as it exclaims

TA-DA!  

Owl on the right is shocked with wings askew, one tip pointed toward its chin.  The eyes are as wide-open as Wolf's but not for the same reason.  Owl says

Yikes!


You can't read this title, Claymates written by Dev Petty with illustrations by Lauren Eldridge, only once.  You have to read it again and again.  And, this is the best part, even though you know what is going to happen you laugh louder and longer with every reading.  I love this book!  I already have more copies on the way.  I would plan on multiple copies for your professional and personal bookshelves.

To discover more about Dev Petty and Lauren Eldridge and their other work, please visit their websites by following the links attached to their names.  The exclusive cover reveal along with an interview is at teacher librarian Travis Jonker's blog at School Library Journal, 100 Scope Notes.  The book trailer was premiered at Scholastic's Ambassador of School Libraries, John Schumacher's blog, Watch. Connect. Read.  He chats with Lauren Eldridge.  Lauren is featured at Celebri-Dots.  Dev Petty talks about this book at Nerdy Book Club.  Enjoy the video.



Book Chat with the CLAYMATES Creators from LB School on Vimeo.

Admiration For Earth's Survivors

If you set the acquired fear aside, in its place is utter respect.  They have

survived five major extinction events, including one 65 million years ago that destroyed the dinosaurs.

Their skin is uniquely designed for speed.  Some of their species can swim up to sixty miles per hour.  Attempts have been made to duplicate their skin in swimwear for athletes.  As a top predator in the food chain their very existence is essential to maintaining a balance in our oceans.

One woman devoted her life to dispelling the fear, replacing it with verifiable facts.  Shark Lady: The True Story of How Eugenie Clark Became the Ocean's Most Fearless Scientist (Sourcebooks, Jabberwocky, June 6, 2017) written by Jess Keating with illustrations by Marta Alvarez Miguens presents to readers how one girl grew a dream from a passionately planted seed to a full-blown bloom of reality.  Readers can easily connect with Eugenie Clark and her sharks.

It was Saturday, and Eugenie wanted to stay at the aquarium forever.

While she was at the aquarium she would watch the sharks longer than the other animals even pretending to walk through the sea rather than the facility.  A big supporter of Eugenie's dream, her mom would take her to the shore so she could swim.  Can you believe this little girl stuck gum in her ears so she could dive?  Nothing was going to keep her from exploring her already beloved ocean.

Though she wished to swim with sharks, she first had to learn everything she could about them.  She read and wrote and read and wrote some more.  To her surprise her mom bought her a fifteen-gallon fish tank to bring a watery world into their small apartment.  For a girl with Eugenie's desires this was one step closer to making her greatest wish come true.

As she continued her studies, her dream was not easy to accomplish with current beliefs as to what a woman should or shouldn't do.  Studying sharks was clearly not what a woman should be doing but Eugenie did and she did it very well.  After college graduation Eugenie finally got to swim in the open ocean.  In the Red Sea she discovered three new species!

Can you imagine how thrilled she was when she swam near her first wild shark or found a cave of sleeping sharks?  As prejudice against sharks grew so did Eugenie's persistence in proving those thoughts wrong.  Her gift to the world is to never give up on your dream.  One person can make a difference for the good.

Eugenie was the first scientist in the world to train sharks and even learned they could remember their training for at least two months after.


What makes readers feel as though Eugenie Clark is a friend of theirs (or they wish she was a friend) is the style of writing used by Jess Keating.  Throughout this book she brings us into the exact moment Eugenie is experiencing.  She describes the setting in sensory terms.  She describes what Eugenie is feeling through explicit examples revealing her research into this remarkable woman.

She supplies us interesting facts as Eugenie moves closer and closer to making her dream a reality.  Keating does not shy away from the unfounded opinions of those against Eugenie's pursuits or sharks.  By referring to Eugenie diving figuratively and literally she fashions a rhythmic thread throughout the text.  She also uses the words smart and brave to reinforce important points more than once. Here are two sample passages.

So she dove...

...this time into books.  Whale sharks.  Nurse sharks.  Tiger sharks.  Lemon sharks.  Eugenie wanted to know about them all.  She also joined the Queens County Aquarium Society as its youngest member.

Eugenie's notebooks filled with sharks.  They swam in her daydreams and on the margins of her pages.


When readers first see the matching dust jacket and book case for this title, given any preconceptions they have about sharks, they are going to want to read this book.  Who is this woman swimming near a shark?  The design of the front with the plant life and small fishes providing a frame for Eugenie Clark and the shark is marvelous.  The complementary colors with the bold white textured main title along with the varnished portions give the impression of being under water.  To the left, on the back, a younger Eugenie is diving along the shore in a circular setting with fish and plant life breaking the border.  This is varnished also.

The opening and closing endpapers are a blue on blue display of a variety of sharks with their common and scientific names.  On the first they are swimming to the right and on the second they are swimming to the left.  Clever.  Beneath the text on the title page Eugenie has risen to the surface of the water with a small fish swimming in a jar she holds.

Rendered in Adobe Photoshop the full color artwork by Marta Alvarez Miguens spans single pages, double pages, pages crossing the gutter from one side to the other to form a column for text, a group of three on one page and is featured in a circle or an oval on a single page.  Each image size is carefully visualized to enhance the text.  The people and their personalities in these illustrations are a variety of ages, ethnicities and from all walks of life.  The settings in which they are placed and their clothing is appropriate for the time periods.  It's their facial expressions which will connect to readers the most.

The underwater images will take your breath away in their hues and representation of the plant and animal life.  By altering the perspectives in these, Miguens brings us into each depiction.  Another stunning portrayal is the picture with Eugenie looking through the glass of a shop highlighting shark fishing for sport, newspaper headlines about sharks, shark fin soup and a set of a shark's jaw and teeth.

One of my favorite of several pictures is when Eugenie starts to dive into books.   It spans two pages.  On the right Eugenie is seated at a table surrounded by books and there are more stacked on a chair next to her.  She is at the public library.  Swimming from the left amid the shelves are three sharks.  It's a blend of the natural world with a human-made environment.


One of the best things about nonfiction picture books is learning something new about a particular person, place or thing.  What makes Shark Lady: The True Story of How Eugenie Clark Became the Ocean's Most Fearless Scientist written by Jess Keating with illustrations by Marta Alvarez Miguens the finest example of this is how it enlarges our understanding of an incredible creature and the woman who loved them.  To finish this title two pages, Shark Bites, give us eight extended facts about sharks.  Following these are two pages dedicated to a timeline of Eugenie Clark's life and accomplishments.  Jess Keating concludes with an Author's Note and Bibliography.  

To discover more about Jess Keating and Marta Alvarez Miguens please visit their online presence by following the links attached to their names.  The cover reveal for this title along with an interview by teacher librarian Matthew Winner of both Keating and Miguens is found at All The Wonders.  Scholastic Ambassador of School Libraries, John Schumacher, features Jess Keating on his site here and premieres the book trailer here.  Jess Keating wrote a post for the Nerdy Book Club about this title.  The publisher provides an activity kit for this book.  Enjoy this video Jess Keating made about Shark Lady.





Make sure you stop by Kid Lit Frenzy hosted by Alyson Beecher to read about the other titles selected by bloggers participating in the 2017 Nonfiction Picture Book Challenge.


Tuesday, June 20, 2017

Small But Mighty

You may not be able to see them all the time, but you can certainly hear them.  Their buzzing, chirping and whining announce their arrival and residence.  Others who live in relative silence leave behind their handiwork in the shape of silken webs or sandy hills.  It can be said that several of them are the ultimate survivors, their existence noted before the dinosaurs.

Some take wing and fly as soon as we approach.  Others, as still as stone, blend in with their surroundings. If we are fortunate enough to see them, it's like a gift.  Cricket in the Thicket: Poems about Bugs (Christy Ottaviano Books, Henry Holt And Company, May 9, 2017) written by Carol Murray with illustrations by Melissa Sweet is a lighthearted, informative approach to acquainting readers with members of the insect community; twenty-nine poems take us on a journey through their buggy realm.

Cricket's Alarm

Cricket in the thicket, cricket.
Cricket in the house, cricket.
Cricket in the bedroom, not as quiet as a mouse, cricket.
Cricket in the closet in a pocket or a shoe, cricket. ...

As the male cricket chirps we are reminded other cultures keep them in their homes as pets.  Can you guess which insects number the highest in the world?  Delicate to touch, as light as a feather, a cicada leaves behind a layer.  No weaver but a wanderer, the jumping spider uses silk to enhance travel toward prey.

The next time you see an inchworm carefully watch how they move before they become moths.  Bumblebees keep our flower population thriving sharing the task as pollinators with honey bees.  Dung beetles were sacred in ancient times?  Who knew? They have a secret which makes them able to swim underwater; water beetles do more than skate along the surface.  Is it a stick that looks like a bug or a bug that looks like a stick?

If you are a feathered friend, beware the milkweed muncher, they are poisonous and so are their majestic butterflies, monarchs.  Do you know the other name for harvestman?  Who has ears near their knees?  If their web is no longer useful, spiny-back spiders eat them.

When the dreaded mosquito is near, she had better look before she bites if an ebony jewelwing is close.  If we only saw life through a microscope (sometimes not always), these creepy crawlies, fruit fly, tick and mite, would be given more attention earlier.  In truth some bugs bug us but these poetic and visual tributes tell and show us, they are indeed mighty.


You will want to run outside as soon as possible after reading these lively verses penned by Carol Murray.  She has created an excitement for bugs!  Her focus is on the essential quality of each insect.  Her rhyming, rhythmic lines replicate those characteristics.  In small paragraphs at the bottom of the page she elaborates on something mentioned in the poem.  Here is one of her poems in its entirety.

Dragons Fly the Sky                         S
A lovely wisp,                                       R
awash in blue,                                  A
with light and lacy wings,          O
a mini-glider in the sky, who S
but never stings.


Woven in, around and under the title text Melissa Sweet places many of the bugs highlighted in the narrative.  She gives them personality with a plus!  The varnished red on cricket and green on thicket add to the pizzazz of her design.  To the left, on the back, the poem noted above is placed on a light background with a group of dragonflies flying around a naturalist's collection envelope.  The opening and closing endpapers are the same shade of red as the title text.

These illustrations rendered in watercolor and mixed media are as fascinating as the subjects they feature.  On the title page a grasshopper is leaping over an array of flowers beneath the text.  On the dedication page a close-up of a leaf shows a grasshopper munching out a large hole.  He is looking right at the reader through the gap in the leaf.

For each poem a distinctive, individualistic image has been created, many of them bringing the insect world closer to readers. Most of them are on single pages but for three Sweet spans two pages.  Her unique details will have you stopping at every page turn; a cricket poised on the edge of a red tennis shoe, ants crawling over a single stalk as a night scene unfolds, inchworms and measuring tape for a garden plot, the B in buzz becoming bumblebee wings, six circles showing a roly-poly rolling...up and unrolling and June bugs blasting against a light bulb.  Her style and color combinations take you into the moment.

One of my many favorite illustrations is for the inchworms.  The background is a dark sage green.  A root vegetable (radish) is magnified.  On three sides a blue-green measuring tape frames it.  Pieces of tape are strategically placed off the top, bottom and left sides.  Inchworms are crawling along the top and left sides.


Cricket in the Thicket: Poems about Bugs written by Carol Murray with illustrations by Melissa Sweet is one of those wonderful books with multiple appeal.  You can use it in an insect unit or an exploration of poetry.  There is a contents section at the beginning and Cricket Notes at the end.  These provide even more information about each bug.  You really need a copy of this title on your professional and personal bookshelves.

To learn more about Carol Murray and Melissa Sweet please visit their websites by following the links attached to their names.  Carol Murray has a book trailer for this title on her site.  At the publisher's website you can view interior images.

Monday, June 19, 2017

Wherever We're Together

Defining home depends on the individual.  For some it's a permanent structure in the same place year after year.  A more temporary residence with a changing location is home to others.  Home may not even refer to a physical object.

Home may not be something you can see.  It might be anywhere as long as you are with a particular being, or where you feel loved.    For those in the animal world home can be these things along with other attributes.  The Road Home (Abrams Books For Young Readers, March 7, 2017) written by Katie Cotton with illustrations by Sarah Jacoby presents a breathtaking lyrical and visual representation of home through four animals.

Fly with me to far away,
where sun sill warms the ground.

An adult bird beckons to a baby, asking it to take flight.  The seasons are shifting and they need to do the same.  Winter can be harsh.

A tiny mouse, though its paws are sore, is encouraged to keep working.  A nest must be made from straw and leaves offering them protection.  To be hidden is to be safe.

Wolves race for food, hunger gnawing at their stomachs.  The younger of the two is learning to hunt. To take a life is to save their own lives.

Two rabbits, hearts pounding, run for shelter through brambles.  The chilling fingers of cold mingle in their fur.  They are pushed by the panic filling their bodies.  Their den offers sanctuary.

Each of these animals is moving during the day with different intentions but what they seek is the same...home.  Home is survival, the opportunity to live another day.  Do you think they see the world as a whole as home?


Though the narrative describes difficult living conditions it does so with grace and distinction through the words written by Katie Cotton. For the bird, the mouse, the wolf and the rabbit at least four sentences, two of them rhyming, depict survival essentials.  Warmth, safety and food are driving forces in their lives.  To have the same sentence at the close of each description ties all the animals together.  When Cotton alters it at the end, a truth is revealed.  Here are three more sentences.

Come with me through tangled trees
and thorns that grasp our coats.
The air is cold and sharp as ice.
It chills our trembling throats.


Rendered with watercolors and digital media the illustrations by Sarah Jacoby create an atmosphere complementing and heightening the text.  The intricate lines and exquisite details as well as the altered perspectives seen on the book case are continued throughout the book.  To the left of the adult and baby mouse, on the back, is a panoramic view of snow-capped mountains in the background with forest trees and rolling hills in the foreground.  Framing this along the bottom is the last of the flower blooms of the season.  The title text is embossed copper foil.

The opening and closing endpapers reflect in a wash a season or perhaps a time of day.  The first is in hues of blue and the second is in warm golden yellow and orange.  Beneath the text on the title page the two mice are shown in miniature.

Most of the images span two pages with the exception of several grouped together on one page with a single page picture opposite them.  Those smaller illustrations, three, in a group definitely ask us to slow our reading.  This allows us to feel the full emotional impact.

One of my favorite pictures of many is at night.  Snow covers the ground as a full moon glimmers through the tree branches on the right.  Beneath it are rows of evergreens behind a large open field.  A path cuts through the white.  On the left we can see inside a hill where the adult rabbit and baby rabbit are curled in sleep, safe for the night.


The majesty of animal life is conveyed beautifully in The Road Home written by Katie Cotton with illustrations by Sarah Jacoby.  The eloquence of the words and luminous illustrations fashion a volume which reads almost like a lullaby.  You will want a copy on your professional and personal bookshelves.

To learn more about Sarah Jacoby and her other work please follow the link attached to her name to access her website.  You can view interior images at the publisher's website.

Friday, June 16, 2017

A Match Made In...

Is there anything better than watching children and puppies playing together?  The rest of the world falls away as they focus on each other.  They seem to embrace life with pure bliss and complete interest.  It's as if they are connected by an invisible thread.

They are the ultimate example of "love at first sight."  I Got a New Friend (Alfred A. Knopf, an imprint of Random House Children's Books, May 23, 2017) written and illustrated by Karl Newsom Edwards celebrates this mutual affection. As soon as you open the book it reaches out and envelopes you.

I got a new friend.

A little girl is given a puppy, receiving her with a little bit of shyness and apprehension.  As you might expect this hesitancy does not last very long.  The puppy and girl are soon snuggling.

This leads to running and romping with total abandon outside.  They both prefer this sensory sensation.  After this activity cleanliness is the last thing on their minds; napping takes precedence.

They discover they have a lot in common.  There are malodorous moments, necessary baths, and overzealous eating habits.  Being quiet is simply too hard for them; noisy is much more fun.

When they eventually rest they sleep together.  Awake they are inseparable, showering each other with displays of devotion.  Like all of the best things in life, essential efforts yield a wondrous outcome and a welcome surprise.


Fourteen sentences in total, simple declarative sentences, tell a tale of a friendship which will stand the test of time.  Karl Newsom Edwards has with a great deal of genius written in such a manner so there is no dispute as to the truth of these statements but what they are indeed open to is the interpretation as to whom is speaking.  They also have openness to them allowing for visual depictions showcasing the developing relationship.

In this sample sentence who is she?  There are muddy foot prints and paw prints across the carpet, the ottoman and on the chair.  The little girl is covered in a blanket but her pooch pal is nestled across her body as they nap.

She messes up the house and sleeps on the furniture.


When you first see the matching dust jacket and book case, one word comes to mind.  That word is adorable.  Using a background of white, the child and the puppy hold our gaze.  Having them nose to nose is a charming blend of curiosity and caution.  A pleasing detail is the dot for the letter i matches the spots on the puppy.  To the left, on the back, the background color is the same as the title text.  In a small oval over the words

Have fun with your new friend!

the little girl is sharing an ice cream cone with the dog.

Across the white opening endpapers are muddy foot prints on the left walking toward muddy paw prints moving from the right to the left.  On the closing endpapers are nine small pictures illustrating

how to care for your new friend.

These like the narrative can be in either character's voice.

On the title page is a basket of puppies with the little girl peering at them from an open door.  White space is an important element in the design of the illustrations rendered

with pencil and watercolor and then refined digitally.

For pacing and impact the picture sizes vary from double page, to single page and then to several smaller visuals across two pages.  For maximum effect the perspective moves close to the characters.  An excellent technique used by Karl is the shadowing (shading) around the characters and other objects.  It softens each scene.  The facial expressions on both the girl and the puppy will have you wanting to hug this book.

One of my favorite illustrations of many is when the duo is having a bath.  They are outside in an orange and yellow polka-dotted kiddy pool on the lawn.  A garden hose curves around the left side.  Water is overflowing the top and being splashed by the little girl and the puppy seated in the pool.  It is loaded with soap suds.  Can you hear the squeals and barks of delight?


Will this book make a great read aloud?  Yes!  Will this book be a bedtime title read repeatedly?  Yes!  I Got a New Friend written and illustrated by Karl Newsom Edwards is brimming with exuberance.  I cannot imagine a professional or personal bookshelf without a copy.  I would pair this with Our Very Own Dog.

To learn more about Karl Newsom Edwards and his other work please visit his website by following the link attached to his name.  He has a page dedicated to this title which you will enjoy.  You can get a sneak peek inside the book at the publisher's website.   Karl Newsom Edwards was featured at Watch. Connect. Read., the blog of Scholastic's Ambassador of School Libraries, John Schumacher.

Thursday, June 15, 2017

Melodious Moments

Our days are filled with music; a combination of sounds expressing a mood, signaling a form of communication or announcing the existence of things outside our immediate realm.  These melodies can remind us of a particular place, a significant event or a specific individual.  They are the heartbeat of life all around us.

During the course of history instruments were made as a result of the desire for a unique sound; many a reflection of the culture from which they came.  Each one contributes to the body of beauty we call music.  The Unexpected Love Story of Alfred Fiddleduckling (Candlewick Press, January 10, 2017) written and illustrated by Timothy Basil Ering depicts the power of notes laden with emotion.

Captain Alfred was sailing home.  On his little boat, there were new ducks for his farm and, nestled safe inside his fiddle case, a precious gift for his wife.

This gift sitting on a bed of soft hay was an egg, a duck egg waiting to crack open.  Alfred spoke to the egg as if bestowing a blessing and gave it a name---Alfred Fiddleduckling.  Unbeknownst to the captain a storm was brewing, a storm with a frightening capacity for damage.

The howling winds and towering waves lasted for an hour until as suddenly as it came, it left.  In its place was an eerie calm shrouded in fog.  This fog extended over the water to land where a kind and tender soul, a woman, waited anxiously for her captain, their dog and the ducks.

In the safety of the fiddle case, a new life emerged.  Alfred Fiddleduckling was lonely until he spied an object floating in the water.  It did not respond to him but he hugged it with all his might bringing it close to his newborn heart.  As his wing stroked it, Alfred was stunned by the notes.  It was love at first sight and sound.

Alfred paddled and played and paddled and played until his feet found something other than water...it was land!  On this land a large and fearsome thing followed the music and its response to Alfred was astonishing.  On this land a kind and tender soul heard the faint sound coming from the thing as the duck and beast lost hope of being found.  Three joyful beings burst with happiness and the duck made the object sing across the land and out over the water.  And...it was heard.


Like the notes singing from a violin the words written by Timothy Basil Ering wind across the pages, blending to cast a magical spell.  We feel a kinship with this violin-playing captain and the love he has for his wife and animal friends.  When the duckling hatches this kinship we have for the captain is quickly transferred to Alfred Fiddleduckling.

Short profound sentences take us to emotional and geographical places.  There is some dialogue carefully placed to bind us further to the characters and story. Here are two sample passages.

They had landed at a very mysterious place.

Alfred held the object close.
"Don't be afraid," he said.

And in a few moments,
the soft, comforting sounds
began again.


All the images rendered in acrylic paint on paper with ink, charcoal, and graphite beckon to readers beginning with the book case.  If you run your fingers over the front and spine you will be rewarded with a variety of textures.  The egg, cracks in the egg and title text are raised.  The multi-colored fabric sewn to the spine is thick like denim with heavier threads.  To the left on the back, amid a canvas of gray fog stands the duckling, forlorn in his lonely state.

The opening endpapers are awash in a warm sunrise spreading over the marshy landscape with cattails reaching toward the sky.  It begins on the left close to us and stretches to a panoramic view on the right.  The closing endpapers take us to the cottage with a conclusion sure to fill readers' hearts with total joy and satisfaction.

Timothy Basil Ering varies his picture sizes; small images on a single page, single page illustrations and some covering two pages.  As this story takes place on or near the water, he uses shades of blue, green and gray liberally in his pictures but other elements are done in full color.  Bright swirls in an array of hues represent the musical notes.

His visuals are brimming with emotion (every brush stroke and line); the fear of the storm, the worry of the wife, the loneliness and passion of the duckling, the humor of the dog and the pure love between all of them.  His shifts in perspective are stunning.  On two of the pages line drawings over the other pictures convey utter bliss.

One of my favorite of several pictures is when the duckling feels something other than water under his feet.  He is in a wetland off the ocean.  The shallow water is not quite up to his little body.  The predominant colors are shades of blue and green with gray.  He is peering into the water looking at his feet standing on a sandbar.  His wings are outstretched for balance, one holds his precious object.  Its neck, like his, is dipping beneath the surface.


Time and time again the beauty one has for life is transferred to another in the most surprising ways.  The Unexpected Love Story of Alfred Fiddleduckling written and illustrated by Timothy Basil Ering is one of those stories.  The artwork and text lift this book into the world of wonder.  It's a radiant example of "what if".  You will want this book on your professional and personal bookshelves.

If you would like to see an interior image from this book, please visit the publisher's website.  Scholastic Teacher Notes for this title are here. An older series of video interviews of Timothy Basil Ering can be found at Reading Rockets.  Teacher librarian and author Carter Higgins interviews Ering on her blog, Design of the Picture Book. You learn quite a bit about his process for this title.  Enjoy the videos.



Wednesday, June 14, 2017

The Significance Of Sound

When a sporting dog takes up residence in your home, if you weren't already, you become an astute observer of nature.  As you are outdoors in all kinds of weather, your meteorology skills heighten to avoid the unwelcome snow squall or lightning strike.  When out walking if your canine companion comes to a quick halt, you need to do the same.  Listen carefully.  If the bird song suddenly stops or increases to shrieks, danger is lurking.  Even though your sense of smell is far inferior, take a few moments every so often to breathe deeply.  An encounter with a skunk never ends well for you or your pooch pal.

Without realizing it your interest in animals, not only in your area, but all over the world grows.  You develop a need to know.  Can An Aardvark Bark? (Beach Lane Books, an imprint of Simon & Schuster Children's Publishing Division, June 13, 2017), written by esteemed science writer Melissa Stewart with illustrations by Caldecott Honor winner Steve Jenkins, explores sounds made by animals in a variety of habitats.

Can an aardvark bark?
No, but it can grunt.

If you happen to be standing in the African grasslands at night, you might hear one grunting as it looks for ants or termites.  An aardvark is not alone in using this sound.  Some animals grunt when they play or to greet another member of their group.  Unfortunately for the oyster toadfish when it grunts, all the care of staying hidden vanishes.

Speaking of barking, seals bark but don't squeal.  They do this to defend their territory.  Other animals bark in warning, to announce their presence, or to attract a mate.  Boars don't roar, but they squeal.  (Can you detect a clever pattern?)

Like a group of children on the playground, they and Abert's towhees squeal when excited.  The wily margay uses it to lure in a meal.  Whining, growling, bellowing and laughter are discussed in equal measure.

Baby animals like black bears and beavers whine for more than one reason. (Does this remind you of anyone?)  Can you guess which animal growls like a lion during mating season?  It's not even in the feline family.  You might be startled to hear the sound a giraffe makes when a little one is lost.  And exactly like humans a laughing kookaburra or a gorilla laughs when it wants to be noticed or is happy.  This is fascinating, factual and just plain fun.


For sixteen years author Melissa Stewart has been acquainting readers with the results of her passion for and meticulous research of all forms of science.  In this most recent publication her search for answers to a simple question about sound reveals to readers mysteries of the animal world.  The narrative beat she makes with the single sound word asked in one section and then answered in another elevates interest.  When she pauses that cadence we are more curious.  What will readers discover next?  For each sound, seven in total, she talks about five animals.  Here is another question with an answer followed by a single paragraph.

Can a dingo bellow?
No, but it can growl.

A coastal giant salamander may look like a peaceful creature, but it knows how to put up a fight.  The angry amphibian arches its back, growls at its rival, and lashes out with its poisonous tail.


Gather close readers to recognize the intricate care given to the details on each one of these animals by author, illustrator and artist Steve Jenkins.  Look at the layers and color variations in the skin/fur of the aardvark.  Can you see the tiny whiskers?  Even though his animals are frozen for the page, they look as if they can leap to life any second.  (Steve Jenkins usually adds what I like to call the spark of life in each of his animals, the tiny piece of white in the eyes.)  The body of the aardvark continues across the spine to the left on the back of the dust jacket.

Beneath the text on the title page the aardvark is featured in a circle.  This circle motif continues at the conclusion of the book as readers are asked if they can make all seven sounds.  Other animals appear in those circles.

Using crisp white backgrounds to draw our attention to the creatures, Steve Jenkins uses two pages for the first animal highlighted in the question and answer.  The following two pages are dedicated to four other individuals.  Many times he will have them placed within a portion of their habitat; water, mud, or a branch.  As pointed out previously, the texture readers see with the cut-and-torn-paper collage technique for the images will have them reaching out as if they can actually feel the fur or skin or pulling back as in the case of more dangerous animals.

One of my favorite of several illustrations is the two pages given to the wild boar.  It is leaping from the left side, across the gutter and to the right side as if running off the page.  All four legs are extended with the tail raised.  Its mouth is open showing us the tusks.  The fur is thick and curled.  I can almost hear it racing toward its destination.


It can be safely said readers world-wide may have laughed in delight when they saw the names for the collaboration to complete this title.  Melissa Stewart and Steve Jenkins are well-known in the nonfiction children's literature world.  Can An Aardvark Bark?  will inform and inspire further research.  At the close of the book Selected Sources and For Further Reading sections are shown.  Melissa Stewart designed a Storytime Guide.

To learn more about Melissa Stewart and Steve Jenkins and their other work please follow the links attached to their names to access their websites.  To view interior images follow this link to the publisher's website.  Melissa Stewart is featured or has written posts about nonfiction recently at Kirby Larson Friend Friday, Patricia Saunders, Two Writing Teachers, Cynsations, and the Nerdy Book Club.  The cover reveal and a blog post about this title are found at Kid Lit Frenzy.  Enjoy the book trailer.




With this link you can view me reading a portion of this title to students in Colby Sharp's third grade classroom.


Be sure to visit Kid Lit Frenzy hosted by educator Alyson Beecher to view the titles selected this week by other bloggers participating in the 2017 Nonfiction Picture Book Challenge.




Tuesday, June 13, 2017

In Pursuit Of A Companion

Being alone does not necessarily mean you are lonely.  You may welcome the solitude.  In fact loneliness may descend when you are part of a crowd.  Loneliness may have more to do with not being in the presence of like-minded individuals.

If your circumstances have recently changed placing you in new surroundings the unfamiliarity may throw your state of being off balance.  Goldfish Ghost (A Neal Porter Book, Roaring Brook Press, May 2, 2017) written by Lemony Snicket with illustrations by Lisa Brown follows the roaming of a recently deceased pet.  His sense of belonging left with his life.

Goldfish Ghost was born on the surface of the water in a bowl on the dresser in a boy's room.

Although he was used to being in this place, someone to talk to would be even better.  So he left, floating from the boy's home.  A small seaside town with the usual small stores, a beach, a fishing pier and a lighthouse spread before him.  It was said the lighthouse was haunted.

There were squawking gulls at the pier and a fisherman but none of them seemed to notice Goldfish Ghost.  He continued drifting to town on the air currents.  He passed over all shapes, sizes and ages of people and animals but he was invisible to them.

It was no different at the beach.  Even the ghosts of all the sea dwellers floating over the water did nothing to make Goldfish Ghost feel less unwanted.  Having nowhere else to go after the sun set, he went back to his bowl in the boy's bedroom.  There was another goldfish there, a living goldfish.

Goldfish Ghost left a second time.  As he glided over the rooftops, he heard a sound.  Someone was speaking to him; someone wanted him.  Sometimes what you need is right in front of you.  You only have to expand your vision.


With his opening sentence Lemony Snicket has our immediate attention.  Before we turn the page questions are swirling as to the current status of this goldfish.  In a calm, contemplative tone the story informs readers of the character's wish to

find some company.

In describing each place Goldfish Ghost visits during the day and upon his return back to his bowl, we come to understand his need for a specific kind of companionship as well as the difficulty he is encountering in his search.  (In the initial presentation of the town, readers are given a hint of the conclusion.)  The repetition of the words company and good company creates a gentle cadence in keeping with the overall symphony of this story.  Here is a sample passage.

Another goldfish was there, but she was not a ghost.

She seemed nice enough, but she was not
good company, and the moon called
Goldfish Ghost back out the window. 


On the dust jacket the blue on blue polka-dot background is the wallpaper in the boy's bedroom, home of Goldfish Ghost.  By giving him a distinctive white color, it helps readers identify the other ghosts yet to come.  To the left, on the back, the canvas continues over the spine.  There we see memorabilia hanging on the wall, a pennant, a hand-drawn picture of the goldfish and a snapshot of the lighthouse.  A can of fish food sits on the table.

Rendered in India ink and watercolor on paper the illustrations have a soft, peaceful quality.  Subdued, earth tone colors on matte-finished paper contribute to this impression.  The visual narrative begins with a scene of the boy's home by the sea, a window giving readers a view of the fish bowl.  A sea gull perched on a hill to the left screams.  (I am working from an ARC but I believe this to be the opening endpapers.)  At the back we are shown a more panoramic view of the village at night with a full moon, a few stars and the group of ghostly sea dwellers hovering over the ocean.

The two pages for the verso and title are a single image.  It is a close up of the inside of the bowl with Goldfish Ghost floating over the text on the right.  An interesting quote wraps around seven bubbles coming up from the bottom of the bowl on the left.  All of the illustrations except for two are double page, edge to edge.  Those two single page pictures will give you pause.  They are gorgeous.

The details in each of the illustrations ask you to stop and notice the references to children's literature, the community, the locals and the tourists.  Readers will love finding the titles on book spines, watching the eyes on the teddy bear, spying the cats, the open door of the pet shop and the recent patron, and the seagull at the beach stealing someone's lunch.  The place where Goldfish Ghost finds good company gives him a new life as shown by the golden glow.

One of my favorite of several pictures is when Goldfish Ghost has left the house the second time.  It is deep into the night.  A few upper story windows in town shine with light but the others are dark.  The cloud of ghosts from the ocean lingers over the water.  Goldfish Ghost is drifting toward the voice, up on the hill.  A full moon shines down on the scene.  A hint of the outcome is visible.


Having read this book repeatedly over the course of weeks, I find Goldfish Ghost written by Lemony Snicket with illustrations by Lisa Brown to be deeply satisfying.  For those readers who have lost pets or recently family or friends, this title will provide them with comfort.  Some of the words spoken by Lemony Snicket invite further discussion as do the illustrations of Lisa Brown.  This is an outstanding collaboration.  You need to have this title on your professional and personal bookshelves.

To discover more about Lemony Snicket and Lisa Brown and their other work, please follow the links attached to their names to access their websites.  The publishers have created a special site for this title with numerous additional resources and views of interior images.  I hope you enjoy this video of Lemony Snicket and Lisa Brown on tour for the book as much as I did.  It's worth every minute of your time.

Monday, June 12, 2017

Brotherhood And Best Days

Late last night when the temperature fell to eighty degrees, it was more comfortable for dog walking.  The nine month old puppy was eager to race down the road after confinement in the air-conditioned home all day.  All the smells of the neighborhood assaulted her with their messages.  She probably had no idea the sight of the first firefly of late spring was the best part of her human companion's day.

A firefly signaling in the darkness beneath a few stars and the light of the moon is an unpredictable thing but nevertheless a welcome reminder of nothing is better than those things in life which cost nothing and have the appearance of simplicity.  In reading the first title in an early chapter book series, Charlie & Mouse (Chronicle Books, April 11, 2017) written by Laurel Snyder with illustrations by Emily Hughes it is readily apparent how much joy can be found in everyday family life.  You need to choose how you view each part of the day.

LUMPS
Charlie woke up.
There was a lump beside him.
He poked the lump.
The lump moaned.

In this first of four chapters Charlie is trying to get the lump, his brother, to rise and shine.  Charlie can hardly wait to get the day started.  Today is the day of the neighborhood party.  The lump, Mouse, is skeptical but enthusiastically runs to wake up Mom and Dad.

These two lumps are not as willing to wake up.  In fact one lump, Mom, has a final last word.  As the brothers excitedly chat about the neighborhood party in the second chapter, Dad and Mom agree to accompany them bringing cookies, a wagon and Blanket as passenger.  As they parade through the neighborhood their numbers grow as more and more children respond to the neighborhood party invitation.  Their arrival at the appointed place reveals a most wonderful surprise.

Most people will agree on the lure of the combination of rocks and children but Charlie and Mouse devise a scheme to use rocks...to make money.  They are going to take particular rocks from the outside of their home, carry them in the sturdy wagon and sell them to their neighbors.  This, like many things, does not go according to plan.  It has its low points, high points and beginning back at square one.

Readers are asked to join Charlie and Mouse at the close of their day in chapter four.  They are wonderfully normal in their bedtime rituals and desire to prolong the inevitable.  It's when the previously normal routines have been exhausted; Charlie makes a most unexpected request.  With Mouse's support, Mom complies.  After the final good nights are exchanged, the conversation of Charlie and Mouse will have readers smiling if not laughing out loud.  All ends as it began with a lump.


We are introduced to Charlie, Mouse, Mom and Dad and members of their neighborhood through a pleasing, flawless blend of narrative and dialogue.  These superbly written simple sentences by Laurel Snyder are appealing to early readers and those who read aloud to willing listeners.  The thought processes and resulting conversations between the two brothers as they address events in their lives are marvelous. Their realism wraps around you like a comforting, cozy blanket.  Here are two sample passages from ROCKS.

"I wish I had some money," said Charlie.
"Yes," said Mouse.  "I wish I had some money, too."
"How can we get some money?" asked Charlie.
"That is a good question," said Mouse.
"Let me think."

Mouse thought.
"I know," said Mouse.  "We will sell something."
"That is a good idea," said Charlie.  "But what will we sell?"
"Let me think again," said Mouse.
Mouse thought.


There is no denying the smile-inducing illustration on the matching dust jacket and book case.  Who can resist the obvious happiness of the two brothers?  The warmth on their faces, their clothing and tousled hair suggest a loving relationship and casual, what-can-we-do-next outlook on life.  The subdued, more earth tone colors are ideal for these two characters and the stories we read about them.  To the left, on the back, is their wagon, ready for another adventure.

On the opening and closing endpapers, using the hue of the grass on the jacket and case as a canvas, illustrator Emily Hughes fashioned a pattern of bananas, rocks, socks, tree branches, boots with yellow-star spurs, grass and ice cream cones.  Beneath the text on the title page is a portion of an interior image of the brothers walking and pulling their wagon in the parade to the playground for the party.

Rendered by hand in graphite and with Photoshop

the illustrations vary in size throughout each chapter.

They may extend across a single page, edge to edge or appear as small insets on a single page.  They are loosely framed by white space with elements breaking those edges in some of the images.  The looseness of their boundaries is an excellent match with the narrative.

Giving the children and even the adults wide-eyed looks adds to the undercurrent of wonder-is-everywhere throughout this book.  The illustrations complement this theme in the endearing details.  Seeing the children's art on the walls, patchwork quilts, the neighborhood climbing tree, children digging in the dirt, Mom's surprise (more than once) and Charlie patting Mouse's head as they brush their teeth a second time before bed declares to readers all is fine in this world and goodness is right in front of them every single day.

One of my favorite illustrations of many is when Charlie and Mouse are on their way to the playground to celebrate the neighborhood party.  They are wearing special outfits, a cape, party hat, headband with antennas, a fringed vest and tutu.  Is that a magic want in Charlie's hand to conjure more magic? They are looking up at Helen and Lily hanging from a branch in the climbing tree.  Sam, their dog, is looking up too.  Delightful!


For anyone who reads Charlie & Mouse written by Laurel Snyder with illustrations by Emily Hughes, as soon as you finish you will want to read it again...and again.  You simply don't want your time with these two brothers and their family to end.  The affection among the members is mutual as is the kindness everyone extends to each other in the neighborhood.  I can't imagine a professional or personal bookshelf without a copy of this book.  The second title, Charlie & Mouse & Grumpy, is due for release in early October 2017.

To learn more about Laurel Snyder and Emily Hughes and their other work please follow the links attached to their names.  At the publisher's website there are links to a teacher's guide, activity sheets and a poster.  Laurel Snyder talks about these books and the characters at Elizabeth Dulemba's site.  Emily Hughes is featured at Picturebook Makers.  Teacher librarian, author and blogger Travis Jonker wrote an interesting review on 100 Scope Notes.

Sunday, June 11, 2017

Have You Read The Instructions? Sputnik's Guide To Life On Earth Blog Tour

On October 4, 1957 the Soviet Union launched the first artificial satellite into space.  It was called Sputnik 1.  Although there are different reports as to whether it could be seen by the naked eye or needed the assistance of binoculars, I distinctively remember as a little girl standing outside with my parents and younger sister watching it move across the sky.  On November 3, 1957 Sputnik 2 was shot into space by the Soviet Union.  This time the vehicle had a passenger, a dog named Laika.

Renowned British author, Frank Cottrell Boyce, takes a huge "what-if" about these launches, specifically the second of the two, as a basis for his newest title, Sputnik's Guide To Life On Earth (Walden Pond Press, June 20, 2017).  Is it possible the dog Laika survived her mission in space? If so, how would we know?

Before you start anything, make a list.  That's what my granddad says.  If you're making a cake, make a list.  If you're moving house, make a list.  If you're running away to sea, make a list.

In one of his grandfather's more lucid moments he recognizes what his grandson, Prez, just handed him.  He believes it to be a list with twenty-seven items on it but it is more than a list.  It's the twenty-seven chapters of this book, an extraordinary story of a life-changing summer.

It begins with a doorbell ringing at the home of the Blythes family, on a farm called Stramoddie.  Prez, who is not speaking at all, is staying with them for the summer after recently being placed at the Children's Temporary Accommodation.  (His grandfather is unable to currently care for him.)  This family is highly talkative so they, unlike Prez, don't even hear the doorbell ring.  When he answers it, Sputnik is standing there.

I have to describe him, because there's a lot of disagreement about what he looks like.
Height and age---about the same as me.
Clothes---unusual.  For instance, slightly-too-big sweater, kilt, leather helmet like the ones pilots wear in war movies, with massive goggles.
Weapons---a massive pair of scissors stuffed into his belt like a sword.  There were other weapons, but I didn't know about them then, or I definitely wouldn't have let him in. ...

You might like to know at this point the home on the farm called Stramoddie has no doorbell.  Sputnik looks like a dog to everyone else and he can read Prez's mind.

We quickly come to understand Sputnik has otherworldly powers; like making a toy lightsaber work as if it is real. (Annabel's birthday party is epic.)  He can use gravity like it's currents of air. But the most important thing about Sputnik, other than he is not a resident of Earth, is he is here to save Prez from eminent death.  This planet is about to be eliminated.

Sputnik and Prez have as long as the summer to find ten things worth seeing or doing on Earth.  They are writing a new guide to replace Laika's guide. (Sputnik has met the dog.)  Prez wonders if the map his grandfather made for him of their travels on the seven seas and the places they visited when he was a baby can assist them.  Basically he is worried sick.

With every chapter the exploits of Sputnik increase; grocery shopping without the benefit of money, using a digger to travel as fast as a rocket, concealer cream with unusual properties, a television remote changing things more than channels, and breaking less-than-savory people out of jail to name but a few.  Then, the summer is over, there are only nine things on the list and Prez has to return to Temporary.  Sputnik is staying on the farm but his work is unfinished.

Events begin to happen at lightning speed with the conclusion in sight; an amazing discovery about the map, a race on scooters, a death-defying encounter with a high tide and the revelation of the sea chest contents.  The laughter continues but the promise of greater things is fulfilled.  You will never look at a post-it note the same way again or read an instruction manual without wondering if you are missing something exceptional.


The tapestry of this tale is tightly woven with a multitude of threads.  Frank Cottrell Boyce explores the loss of memory in the elderly, the loss of home for a child, the beauty of a loving family, and the use of facts from the past to create a believable present.  Prez's voice rings with authenticity as each character is introduced through thoughts, conversations and actions.

With chapter titles like Spicy Chicken Wings, Lightsabers, Milk, Chicken and Mushroom Pie, and Curtains you are never sure how the chapter will unfold but the episodes do circle back or surround the introductory word or words.  The final sentence in many of the chapters begs you to continue;

"Didn't I mention?  Earth is about to be destroyed."
"Oh, no. No, no, no.  I have big plans for this pee.  Very big plans."
We were already running away.
But things don't always go according to plan.

The underlying current which keeps you turning pages in the midst of serious situations is the hilarity.  Frank Cottrell Boyce uses humor masterfully.  Here are some sample passages.

Annabel swung around to take a bow.  Her best friend saw the blade of light coming toward her and ducked just in time to stop it decapitating her.  But not in time to save her thick blond ponytail, which fell at her feet like a dead gerbil that was slightly on fire.  Everyone stared at it in horrible silence.
The lightsaber could have cut her head off.
"Said I could fix it, didn't I?" said Sputnik, smiling more than ever.  "Smell that burning hair!  This is a great party."
We have to stop this.  Someone could get killed.
"Why give her a lightsaber if you don't want her to use it?"
It's supposed to light up and twinkle!  Not cut things in half!
"Twinkle?  Where's the fun in twinkling?  This is a fantastic party.  I was told Earth parties were good, but I never realized they'd be this good.  I never realized they'd involve so much fire and destruction.  These kids are having a great time."
He was right about that.  Having your hair cut by a fully functioning lightsaber was the new face painting.  


"Well, that's something I love about your species.  How everyone helps to make an idea better and better until after about a hundred years it's completely brilliant.  Fish and chips are like a big knot tying everyone together.  We can put that on the list.  Fish and chips outside can go in the Companion."



Truthfully when I finished the final page of this book I was totally speechless for a few moments, stunned by the sheer genius of Frank Cottrell Boyce's writing and this story.  I repeatedly laughed out loud for long moments of time and I shed a few tears more than once.  Sputnik's Guide To Life On Earth is a book you must read.  Then you have to tell as many people as you can about it.  Finally you have to recommend they read it aloud.  Make sure you have at least one if not more copies on your professional bookshelves.  I know I will have at least one copy on my personal bookshelves and several to give away.

If you wish to know more about Frank Cottrell Boyce, please follow the link attached to his name to access a website.  This title was released earlier in the UK.  At the Panmacmillan site you can read an excerpt.  At The Guardian there is an article about the scrapbook made by Frank Cottrell Boyce for this book.  It is a fascinating read with illustrations.





June 5   Educating Alice                                                                     
June 6   Walden Media Tumblr
             Kirsti Call
June 7   Litcoach Lou
June 8   Novel Novice
June 9   The Haunting of Orchid Forsythia
June 11  Librarian's Quest
June 12  Next Best Book
June 13  Mrs. Knott's Book Nook
June 14  The Book Monsters










Friday, June 9, 2017

Pretend With A Purpose

Some people reside in the same house for their entire lives; a residence passed from generation to generation.  Others move from place to place throughout any given year where their presence is essential to the productivity of seasonal crops.  The act of leaving one home to go to another takes a physical and emotional toll on all the members of a family.

A good friend said in conversation people feel most at home when they find connectedness and purpose.  At a particular location over time friendships are forged but the original justification for being there can suddenly be absent.  In the reverse a calling can be fulfilled but we can still feel adrift with no people to share in our joy.  For children this is amplified in ways adults sometimes fail to completely understand.  Colette's Lost Pet (Random House, May 23, 2017) written and illustrated by Isabelle Arsenault reveals the heart of a child who is settling into her new neighborhood.

No, Colette!
For the last time, NO PET!
Now go explore your new
neighborhood.

If you think these two statements are upsetting to Colette you would be correct.  She is angry to the point of kicking a packing box so hard it flies over the fence into the neighbor's yard.  There she meets Albert and Tom.  When they ask her what she is doing, she fumbles for words.  She finally states she is looking for her lost pet...a parakeet.

The brothers suggest they seek out Lily who has binoculars.  When Lily asks for a physical description of the bird, Colette again hesitates but eventually she says blue

with a bit of yellow on its neck.

By her observations, Lily is a watcher of our feathered friends.  She proposes they go to Scott's home where he keeps a bird feeder.  The group has grown to four.

Scott has not seen Colette's missing pet but he is curious as to its name.  The neighborhood newcomer searches her mind revealing the name to be Marie-Antoinette.  As each piece of the pet puzzle is disclosed by Colette, the gals and guys offer another's child name that can help in their search.

The qualities and exploits of Marie-Antoinette become more and more particular until they become nearly legendary.  The children are spellbound by Colette's words until a loud voice makes a proclamation which she cannot ignore.  As Colette turns to respond, her new friends each say something which leaves no doubt in readers' minds as to the power of story.


There is not a child (or an adult) who will not be able to identify with the storyline created by Isabelle Arsenault.  Told entirely in dialogue the feelings of Colette are realistically portrayed as is the kindness of the neighborhood children with their recommendations.  With each visit to the different girls and boys, the new descriptions are added to the previous ones.  This encourages audience participation.  It's a powerful technique to bring the story back to the beginning stronger for the variety of the children and their offered "gifts" to Colette.  Here is a sample conversation.

Hey, Maya!

Have you see Colette's lost pet?
It's a parakeet.  It's blue with a bit of yellow on its neck, and its
name is Marie-Antoinette.

What does it sound like?

Um, well...uh...
Like Prrrrrr
Prrrr PrrrrrruiiiiiiiT!
And it speaks a
little bit, too.
But only in French.
Bien sur!


The limited color palette seen on the opened dust jacket is used wonderfully throughout the entire title.  Isabelle Arsenault's lines, brush strokes and use of light and shadow work well with these hues.  To the left, on the back of the jacket, is the kicked cardboard box, now upright with the parakeet peeking around a corner.  The same yellow is used as a canvas for the book case.  On the front is Colette, looking happy.  On the back is the parakeet, beak open in song or perhaps speaking French.

On the opening and closing endpapers in shades of gray and black is a map of Clark Alley in Mile End, backyards lined up on both sides.  Colette's backyard is colored in yellow.  Careful readers will notice the slight differences between the two.

Rendered in pencils, watercolor, and ink with digital coloration in Photoshop, 

the illustrations are a blend of single pages and a group of images on a single page, some framed like a graphic novel.  As the story moves toward the conclusion readers will notice the use of blue is increased.  Isabelle Arsenault has a distinctive style in the delicate details she supplies in her characters and her depiction of grasses, flowers and trees.

One of my many favorite pictures is on a half-page.  It's our first view of Maya in her backyard.  Along the back is a fence.  In front of this and around the fountain are many different kinds of potted plants.  In the center of the fountain is a large open-mouthed fish spouting water.  Eyes closed Maya is holding a large seashell, listening.  Splashes of yellow are seen in two of the flowers and the watering can.  A bit of blue is used also.


I can hardly wait to read Colette's Lost Pet written and illustrated by Isabelle Arsenault aloud to students.  This is not only for those children who have or are in the process of moving but to help others to understand how far kindness and imagination can go in making friends.  I would pair it with these marvelous titles about moving, The Quiet Place, Bad Bye, Good Bye, Yard Sale, Lenny & Lucy and That Neighbor Kid.

To discover more about Isabelle Arsenault and her other work, please follow the link attached to her name to access her website.  If you follow this link to the publisher's website, you can view interior images.  There are more interior illustrations at author, reviewer and blogger Julie Danielson's site, Seven Impossible Things Before Breakfast.  Isabelle Arsenault is on Instagram .  Isabelle Arsenault is this year's Canadian, International Board on Books for Young People, nominee for the Hans Christian Andersen Award










Thursday, June 8, 2017

Paused Patient Productive

The day dawns sunny and clear with the entire group gathered.  Each individual has a task to complete.  Each task contributes to a larger whole.  Engines rumble to life as the work begins.

Though all members of the crew know exactly what to do, one remains unmoving.  What if every individual does not have a task to complete?  In a companion title to Bulldozer's Big Day (Atheneum Books For Young Readers, an imprint of Simon & Schuster Children's Publishing Division, May 5, 2015) written and illustrated by Candace Fleming and Eric Rohmann, Bulldozer Helps Out (A Caitlyn Dlouhy Book, Atheneum Books For Young Readers, an imprint of Simon & Schuster Children's Publishing Division, May 16, 2017) written and illustrated by Candace Fleming and Eric Rohmann tackles this very real situation.  Everyone has talents.  They are not always revealed until circumstances demand it.

The construction site bustled.

Cement Mixer, Crane Truck and Digger Truck were busily doing what they do best.  Bulldozer was not being very productive.  He needed an assignment.  He knew he could help; he wanted to help.

When he approached the other trucks offering his assistance, they easily listed reasons he could not work with them.  As he moved to leave, they exchanged glances.  Crane had an idea.  He pointed to a small area needing rubble removed.

Bulldozer eagerly dashed toward the spot, his blade vibrating with anticipation.  Suddenly he stopped!  He was not expecting this situation.  Carefully he moved a little bit here and a little bit there and then he waited.  He waited for a long time.

Eventually the other trucks rolled up to Bulldozer wondering why the site looked untouched.  Disappointment filled their remarks.  When he wouldn't budge, they were flabbergasted at his audacity.  He kept shushing them; no easy job with seven trucks.  Before they uttered another word or made another sound, something caught their attention.  This was the job Bulldozer was meant to do.


Using onomatopoeia and repetition Candace Fleming fashions a cadence inviting readers back to the construction site.  Her concise sentences mixed with the dialogue of the trucks heighten the appeal for the intended audience.  Each of her words is carefully chosen allowing readers to connect with the particular moods in which all the trucks find themselves.  Here is a sample passage.

"See over there?" Crane pointed.
"That needs to be cleared and flattened."
"I can do it!  I can do it! cried Bulldozer.
"So what are you waiting for, kid?" grumbled Roller Truck.


When you look at a book illustrated using the remarkable techniques of Eric Rohmann, you know infinite care has gone into the making of the artwork.  They are rendered

using relief (block) prints.  Three plates were used for each image.  The first two plates were printed in multiple colors, using a relief printmaking process called "reduction printing." The last plate was the "key" image, which was printed in black over the color.

Each one framed in thick black lines looks as if you could hang it on a wall in a gallery.  Notice the faint outline of the cityscape in the background on the dust jacket, front and back. The trucks and Bulldozer, done in primary colors, pop off the page.  Do you see the hint of the story's outcome tucked in the lower left-hand corner?  Running your fingers over the title text reveals the raised font.

Across the title page is a blue on blue cityscape in the background with the trucks beginning their work of the day.  Most of the images span two pages with altered perspectives amplifying the mood.  The eyes on the trucks tell a powerful tale.

One of my favorite of many illustrations is when Bulldozer is giving the job of clearing the small site.  He charges down an incline on the left, bursting forth from the framing.  As he yells

"Cha-a-a-a-arge!"

he races up the other side of the little valley.  Small puffs of smoke are coming from his stack.  His eyes are closed in pure bliss.  This image gives a greater impact to those which follow.


For fans of the first title or anyone who enjoys seeing the "little guy" find his place in the scheme of a given day (or more), Bulldozer Helps Out written and illustrated by Candace Fleming and Eric Rohmann is the perfect book.  It's guaranteed to generate a gasp from readers of all ages at the surprise twist.  Comments by the older trucks will most definitely connect with adults.  Be sure to have a copy on your professional and personal bookshelves.

To discover more about Candace Fleming and Eric Rohmann and their other work please visit their websites by following the links attached to their names.  At the publisher's website you can view interior images but there are spoilers.  At the MackinVIACommunity site Candace Fleming and Eric Rohmann are interviewed together.  Betsy Bird on her blog, A Fuse #8 Production, includes this title in a group of construction titles which she evaluates.